Chamber Music Albuquerque, New Mexico, 2010
Superb…. a ne plus ultra musical experience.
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Superb…. a ne plus ultra musical experience.
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Smith gave Chopin’s popular Ballade in G Minor, Op. 23, new meaning as he experimented with phrasing, nuance, rubato and tempi. The entire composition was breathtakingly beautiful as the haunting and romantic melodies soared under the guidance of Smith’s authoritative control…The dazzling, agile fingerwork left the hearers in utter awe of [his] advanced technical skill and beauty of tone… His quiet, sincere, straightforward manner relies on an economy of movement and energy that allows him introspection into the core of the music.
In his fantastic solo concert, the American pianist Dan Franklin Smith revealed Busoni.
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Just less than a year ago, I had the pleasure of giving a rave review to Dan Franklin Smith in a recital of works by living composers. Though that first hearing set the bar very high, I was delighted, in his recent program entitled “La Vida Iberiana,” to find that my enthusiasm for his artistry has not waned. More…
Quite clearly Smith is, without a lot of fuss and affectation, a master pianist.
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The capacity audience at the National Gallery concert …were thrilled….His program was greeted with cheers.
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Applause, standing ovations and tears of joy ….
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…an immense reservoir of power, control, and facility. [His] playing is exacting and very musical, the architecture clearly delineated… a consummate technician.
…filled the role of a conductor bringing forth changing emotions through … phrasing and line.
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In the first movement of Debussy’s Images, soft-spoken phrases billowed into clouds of sound and rays of melody broke through like streams of sunlight…
Magnificent entertainment with a bit of education thrown in
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Orange blossoms and almond trees appeared in the first few measures and evanesced with the final notes and warm applause….
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…understands the subtle hesitations and shifts that constitute great expression.
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…a solo recitalist of extraordinary dynamism and sensitivity.
Smith played with exciting pianism…. Liszt’s Feux Follets was a revelation of technical wizardry and pianistic pyrotechnics while the concluding Etude in F Minor proved a brilliant display piece with an emotional outpouring of technical virtuosity…
Smith pulls you into the music…he creates a glimmering carpet of sound—unbelievable but true.
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…dazzling technique…eminent talent for interpretation…extraordinarily mature execution.
[Many renowned guests] were deeply touched by this concert…
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His artistry and versatility seemed to know no bounds…. an outstanding recital.
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…the highest precision with keen intensity…stirring emotionalism… a brilliant conclusion.
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